<NG5_File type="preset" version="1"> <info name="A7X Heavy Metal" author="User" category="Metal"/> <module id="rack" type="RackContainer"> <module id="noise_gate" type="NoiseGate"> <param name="Threshold" value="-45.0"/> <param name="Attack" value="0.5"/> <param name="Release" value="50.0"/> </module> <module id="eq_pre" type="EQ"> <param name="Low Gain" value="-2.0"/> <param name="Mid Gain" value="-3.0"/> <param name="Mid Freq" value="800.0"/> <param name="High Gain" value="1.0"/> </module> <module id="amp" type="Van 51"> <param name="Lead/Rhythm" value="1.0"/> <param name="Gain" value="8.0"/> <param name="Bass" value="5.5"/> <param name="Mid" value="3.0"/> <param name="Treble" value="7.5"/> <param name="Presence" value="6.0"/> <param name="Resonance" value="5.0"/> <param name="Master" value="5.0"/> </module> <module id="cab" type="Matched Cabinet"> <param name="Cabinet" value="4x12 Dual Rectifier"/> <param name="Mic" value="Dynamic 57"/> <param name="Mic Position" value="Center"/> </module> <module id="eq_post" type="EQ"> <param name="Low Gain" value="2.0"/> <param name="High Gain" value="2.5"/> <param name="High Freq" value="5000.0"/> </module> <module id="delay" type="TapeEcho"> <param name="Time" value="300.0"/> <param name="Feedback" value="30.0"/> <param name="Mix" value="15.0"/> <param name="HiCut" value="4000.0"/> </module> <module id="reverb" type="SpringReverb"> <param name="Size" value="Small"/> <param name="Decay" value="1.2"/> <param name="Mix" value="10.0"/> </module> <module id="limiter" type="Limiter"> <param name="Threshold" value="0.0"/> <param name="Release" value="Auto"/> </module> </module> </NG5_File>
The foundation of the A7X sound is a high-gain head that retains clarity. Lead 800 (Marshall JCM800 Emulation): preset guitar rig 5 avenged sevenfold
Use the Noise Gate at the very top of the rack to keep those stop-start riffs silent. Synyster Gates tunes down to or Standard D
We will be simulating a Peavey 5150 (for rhythm) and a Bogner Uberschall (for leads), pushing them with a Tube Screamer-style overdrive. this review focuses on the playability
Synyster Gates tunes down to or Standard D . To get that low-end chug without it sounding muddy, ensure your guitar's intonation is set correctly and do not max out the "Bass" knob on the amp. The "Resonance" knob on the Van 51 amp is key for that tight low-end thump.
Since "Avenged Sevenfold" presets are user-created content rather than an official Native Instruments expansion, this review focuses on the playability, accuracy of tone, and the technical limitations of the software versus the real gear used by guitarists Synyster Gates and Zacky Vengeance.