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To appreciate Malayalam cinema, you must appreciate the Sadya (the traditional vegetarian feast served on a banana leaf).

Unlike Bollywood’s fantasy of Swiss Alps or Hollywood’s obsession with New York, Malayalam cinema has historically been obsessed with geography. The early films of the 1950s and 60s, such as Neelakuyil (The Blue Cuckoo, 1954) and Chemmeen (The Shrimp, 1965), treated Kerala not as a mere backdrop but as a character in itself.