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Consider the act of eating. In most Indian films, food is glamorous. In Malayalam cinema, it is a performance of class and vulnerability. In Sudani from Nigeria (2018), the scene where a Nigerian footballer struggles to eat "puttu and kadala" (a staple Kerala breakfast) with his bare hands in a Malappuram hotel is both comic and deeply poignant. It’s about the awkwardness of assimilation. In Article 15 -style films, a character making tea or meticulously folding a mundu (traditional dhoti) before a fight tells you everything about their upbringing.
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