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Today, the industry is undergoing another renaissance. The “New Generation” cinema of the 2010s ( Bangalore Days , Premam ) broke taboos around love, sex, and youth culture. Following that, the post-2020 wave, led by Joji and Nayattu , has become ruthlessly political. These films are no longer just realistic; they are dystopian critiques of power, police brutality, and familial patriarchy.