There is a distinct linguistic and social distinction between a geinin (comedian/entertainer) and an akuto (actor). The most powerful players are often owarai (comedy) tarento (talents). Comedians like Sanma Akashiya or Downtown (Hamada & Matsumoto) host multiple weekly shows and dwarf "serious actors" in annual income. They are respected not for art, but for talk skills —the ability to fill time with witty, hierarchical banter.
Ensuring you see the full narrative arc intended by the director. Conclusion