When all four strata work together effectively, they create a "polyphony" of aesthetic value that defines a true work of art.
In Roman Ingarden's seminal work, (1931), he defines a literary work not as a physical book or a purely mental experience, but as a "purely intentional object" with a unique, multi-layered structure. roman ingarden the literary work of art pdf
Metaphysical qualities are not stated; they are shown through the concretization process. A detective story without the quality of “the menacing” falls flat. A tragedy without “the tragic” is merely sad. Ingarden insists that the presence of such qualities is what distinguishes a mere literary text (e.g., a telephone directory) from a literary work of art . When all four strata work together effectively, they
Perhaps Ingarden’s most innovative contribution. This layer refers to the perspective-bound ways in which objects appear. A tree in a novel might be seen “from a distance” or “in the mist.” These aspects are not the tree itself, but the . They are “schematized” because the text provides only a skeleton; the reader must flesh it out. A detective story without the quality of “the
When all four strata work together effectively, they create a "polyphony" of aesthetic value that defines a true work of art.
In Roman Ingarden's seminal work, (1931), he defines a literary work not as a physical book or a purely mental experience, but as a "purely intentional object" with a unique, multi-layered structure.
Metaphysical qualities are not stated; they are shown through the concretization process. A detective story without the quality of “the menacing” falls flat. A tragedy without “the tragic” is merely sad. Ingarden insists that the presence of such qualities is what distinguishes a mere literary text (e.g., a telephone directory) from a literary work of art .
Perhaps Ingarden’s most innovative contribution. This layer refers to the perspective-bound ways in which objects appear. A tree in a novel might be seen “from a distance” or “in the mist.” These aspects are not the tree itself, but the . They are “schematized” because the text provides only a skeleton; the reader must flesh it out.