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We watch because the scripted shows are too clean. Real life—with its bad lighting, its mumbled apologies, its grainy cellphone footage—is the only thing left that feels real. And in a world of CGI and autotune, reality has become the ultimate special effect.

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Most entertainment docs are produced by , which biases the result: We watch because the scripted shows are too clean

In the late 20th and early 21st centuries, the genre pivoted toward demystification. The pivotal text here is Hearts of Darkness: A Filmmaker's Apocalypse (1991). Charting the disastrous production of Francis Ford Coppola’s Apocalypse Now , it presented the director not as a genius in command, but as a tortured artist on the brink of suicide. The production company GirlsDoPorn was shut down following