The Japanese government has set an ambitious goal to grow overseas content sales to ¥20 trillion ($130 billion) by 2033.
Ultimately, Japan has solved the post-modern crisis of meaning not with religion, but with media. The otaku does not need God; they have a waifu (fictional wife). The idol fan does not need a partner; they have a handshake ticket. This is not a condemnation. Rather, it is an observation that in a country of seismic disasters, economic stagnation, and a profound fear of social friction ( seken-tei ), entertainment has become the safest, most predictable, and most beautiful arena for human connection. smd135 matsumoto mei jav uncensored link