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| Counterargument | Paper’s Rebuttal | |----------------|------------------| | “Streaming saved indie film” | It saved distribution , but pushed production toward mid-budget horror/thriller (the only genres with predictable ROI). | | “Marvel isn’t a studio, it’s a brand” | Precisely – modern studios succeed when their logo alone signals a genre, tone, and post-credits promise. | | “A24 films still lose money” | True, but they win awards and loyalty – which Netflix trades for subscriber retention, not box office. | : Like much of the "Ceramics Sluts" niche,

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