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On the other hand, the middle section of the album is infamous for its absurdist, often polarizing humor. Songs like Big Weenie, Rain Man, and Ass Like That featured strange accents, repetitive hooks, and slapstick sound effects. Critics at the time were baffled by the shift in quality, but in retrospect, these tracks provide a raw look into Eminem’s psyche at the time—a man exhausted by fame and retreating into a cartoonish version of himself to cope with the stress.

To understand Encore , you have to understand the context. In 2003-2004, Eminem was everywhere—and everywhere exhausted. He’d just survived a near-fatal overdose of methadone (the same drug that would later kill his idol, Proof). He was touring relentlessly, churning out hits for D12 and 50 Cent, and battling a worsening addiction to sleeping pills. Encore wasn't made by the hungry, venomous Slim Shady of 1999. It was made by a man running on fumes and Valium.