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Interestingly, the genre most honest about mature women is horror. Films like The Babadook (2014, mother’s grief as monster), Relic (2020, dementia as physical decay), and The Substance (2024, Coralie Fargeat) use body horror to externalize what society whispers: that an aging woman is grotesque. The Substance is the most brutal critique yet—Demi Moore’s character is literally split into a younger version of herself, and the film argues that the mature woman’s self-hatred is more terrifying than any monster.

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